We’re better than you.” “No, you’re not.” “Yes, we are.” If we had been, the conversation would probably have been something like: “Hello, you’re shit. We were never in the same room at the same time. At Dingwalls, there was a bit of: “Oh, they’re coming over here to our turf, jumping on our bandwagon.” I think they were taken aback by the reaction – things getting thrown all over the place. He tried to imitate them with his playing, but they were a lot faster. Great songs, really catchy, all two and a half minutes long. They were more basic, three-chord rock’n’roll.
#Ramones exhibit los angeles crack#
It made us think: “We’d better crack on here.” But the Ramones and the Pistols were different animals, with a different flavour. Ramones was the first so-called punk album. British punk was more political, although the Ramones weren’t as dumb as everyone made out. There were parallels: New York was bankrupt and London was a bombsite, with lots of strikes. Punk exploded into New York and the UK at exactly the same time. Read more about what’s happening here. Once you’re done with that, check out this Guardian article entitled Forty years of the Ramones: ‘They were the smartest dumb band you ever heard.’ Other special packages are likely, among them a singles box spanning the group’s career. On the music side, Rhino will release a three-CD/one-LP deluxe collector’s edition of the band’s self-titled first album, overseen by its original producer, Craig Leon, and include demos and a live concert. In addition, a world tour of at least 18 cities is planned for 2017. An expanded version moves to Los Angeles’ Grammy Museum in October. Meanwhile, back on The Ramones’ home turf, an exhibit of memorabilia opens at the Queens Museum in New York on April 10 and will include Johnny’s recently unearthed leather jacket and guitar. That evening, several bands also will perform the group’s music. Look for the collaboration to kick off at South by Southwest on March 17 with a Grammy Museum-organized panel featuring Seymour Stein, who signed the band to Sire Records, and Leigh and Linda Ramone. Recorded for around $6,600 in a backroom recording studio at Radio City Music Hall, the record became a template for thousands of punk bands to come.Ĭome this spring, there will be plenty of 40th-anniversary commemorations: reissues, merch, events–you name it and the Brudders (God rest all their original souls) should be ubiquitous for much of the year. Of special note are new paintings by Shepard Fairey and Yoshitomo Nara, done specially for Hey! Ho! Let’s Go.While the Ramones first came together in March 1974, things really didn’t take off until the released of their self-titled debut record on April 23, 1976. Melnick, has also opened his vast archives for the exhibition, which comprises more than 350 items. The band’s longtime tour manager, Monte A.
Hey! Ho! Let’s Go draws from the collections of those closest to the Ramones, including Linda Ramone (widow of Johnny Ramone), Mickey Leigh (brother of Joey Ramone), Claudia Tienan (longtime partner of Tommy Ramone), and Vera Ramone King (ex-wife of Dee Dee Ramone). Late Ramones art director Arturo Vega, who designed the band’s famous logo, will be represented by a wall of his t-shirt designs. Bayley, whose Ramones photoshoot provided the album cover for Ramones.
Also returning from the 1978 show is Roberta W. John Holmstrom, co-founder of Punk magazine, will be making a cartoon map of the Ramones’ paths in Queens and New York for the upcoming exhibition. As co-curator of the 1978 Punk Art show at the Washington Project for the Arts, Miller worked closely with many of the artists who will be featured in Hey! Ho! Let’s Go.
The Queens Museum celebrates the Ramones alongside the visual artists who helped create their image, and that of punk. Hey! Ho! Let’s Go is a collaboration with the Grammy Museum (Los Angeles), where a variant exhibition will open on September 16. The exhibition commemorates the 40th anniversary of the Ramones’ first album (Ramones), with an opening April 10 at the Queens Museum (New York), a mile away from Forest Hills High School, where the Ramones first met. Miller of 98 Bowery and Gallery 98 has co-curated the upcoming exhibition Hey! Ho! Lets Go: The Ramones and the Birth of Punk, announced last week in the New York Times. The artist is making a special Ramones map for the exhibition. Punk #3, April 1976, with cover illustration by John Holmstrom.
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